Woman in the Plural
Woman in the Plural In the summer of 1935, Vitezslav Nezval, already one of the most celebrated Czech poets of his generation, embarked on a period of manic creativity that would result in three…
Specifikacia Woman in the Plural
Woman in the Plural
In the summer of 1935, Vitezslav Nezval, already one of the most celebrated Czech poets of his generation, embarked on a period of manic creativity that would result in three volumes of poetry written and published in a two-year span (1935-37), mirrored by three volumes of memoir-like poetic prose. Each of the three volumes adopted a different principle of Surrealism as its general modus operandi. These collections would not only reshape Czech poetry, blending approaches developed by the French Surrealists with national cultural sensibilities and political concerns, taken together they are among the highest achievements of the interwar avant-garde.
Appearing in For Woman in the Plural (1936), the first volume in this loose trilogy, it was objective chance (while the third and final volume, The Absolute Gravedigger (1937), adopted the paranoiac-critical method).
Woman in the Plural
The Woman in the Window
Woman in the Middle
Woman in the Woods
Woman in the Wilderness
The Woman in White
Woman in the Dunes
The Woman in Red
Woman in the Wood
Woman in the Library
The Woman in Red
The Woman in Me
Woman In the Woods
Woman in the Window
Woman in the Photograph
Woman in the Middle