Without Copyrights: Piracy, Publishing, and the Public Domain Spoo Robert
Without Copyrights: Piracy, Publishing, and the Public Domain Spoo Robert The names of James Joyce and Ezra Pound ring out in the annals of literary modernism, but few recognize the name of Samuel…
Specifikacia Without Copyrights: Piracy, Publishing, and the Public Domain Spoo Robert
Without Copyrights: Piracy, Publishing, and the Public Domain Spoo Robert
The names of James Joyce and Ezra Pound ring out in the annals of literary modernism, but few recognize the name of Samuel Roth. When he reprinted segments of James Joyce's epochal novel Ulysses, the author took him to court.Without Copyrights tells the story of how the clashes between authors, publishers, and literary "pirates" influenced both American copyright law and literature itself. A brash, business-savvy entrepreneur, Roth made a name--and a profit--for himself as the founding editor and owner of magazines that published selections from foreign writings--especially the risque parts--without permission.
American publishers From its inception in 1790, American copyright law offered no or less-than-perfect protection for works published abroad--to the fury of Charles Dickens, among others, who sometimes received no money from vast sales in the United States.
Habermas and the Public Sphere