Voice in Cinema Chion Michel
How can a voice whose source is never seen--such as Hal in "2001: A Space Odyssey" or the mother of Norman Bates in "Psycho"--have such a powerful hold on an audience? When does "synchronized sound"…
Specifikacia Voice in Cinema Chion Michel
How can a voice whose source is never seen--such as Hal in "2001: A Space Odyssey" or the mother of Norman Bates in "Psycho"--have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras deploy the power of the voice?In this brilliant essay, Michel Chion, internationally cited authority on the history and poetics of film sound, examines the human voice in cinema. "The Voice in Cinema" begins with the phenomenon of film's hidden, faceless voices and their magical powers, particularly in the context of Lang's "Testament of Dr. Mabuse." Chion then explores subjective voices, bonding and entrapment by telephone, voice-thieves, screams (male and female), siren calls, and the silence of mute characters-all uniquely cinematic deployments.
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