Theory of Prominence: Temporal Structure of Music Based on Linguistic Stress Hayslett Bryan
Theory of Prominence: Temporal Structure of Music Based on Linguistic Stress Hayslett Bryan Many twentieth and twenty-first century composers have written music with rhythmic structures that must be…
Specifikacia Theory of Prominence: Temporal Structure of Music Based on Linguistic Stress Hayslett Bryan
Theory of Prominence: Temporal Structure of Music Based on Linguistic Stress Hayslett Bryan
Many twentieth and twenty-first century composers have written music with rhythmic structures that must be understood through a framework distinct from even, periodic meter, which has been a salient musical feature of Western classical music for centuries. Instead of entrainment to meter, Bryan Hayslett theorizes that listeners perceive rhythm in similar ways to how they perceive the rhythm of language. This Element's analytical system outlines structure and phrasing in sections of music without even perceptible meter.
The listener perceives the shape of a gesture according to the structure of its constituents, and larger-level phrasing is perceived through the hierarchical With gesture as the smallest organizational grouping unit, his analytical system combines Fred Lerdahl and Ray Jackendoff's generative theory of tonal music with Bruce Hayes's metrical stress theory from linguistics.
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