Shostakovich Reconsidered

To mark the centenary of the birth of Dmitry Shostakovich, Toccata Press is publishing the first paperback edition of the critically acclaimed "Shostakovich Reconsidered". Was "Testimony" a forgery, made up by an impudent impostor, or was it the deathbed confession of a bent, but unbroken, man? Dmitry Shostakovich's memoirs, "Testimony", 'related to and edited by Solomon Volkov', have been the subject of fierce debate since their publication in 1979.

Their analysis is complemented by a generous number of other essays, many of them by Shostakovich's close friends and acquaintances, and an interview with Solomon Volkov in which he explains how he worked with Shostakovich to help him write "Testimony". The authenticity of "Testimony" first came under attack from the Soviet government and then from commentators whom Vladimir Ashkenazy in his overture calls 'Soviet stooges in the West'; even now, years after the fall of the communist regime, a coterie of well-placed western musicologists have regularly raised objections to "Testimony", hoping to undermine its picture of Shostakovich as a man of enormous moral stature, bitterly disillusioned with the Soviet system.In "Shostakovich Reconsidered", Allan Ho and Dmitry Feofanov systematically address all of the accusations levelled at "Testimony" and Solomon Volkov, Shostakovich's amanuensis, amassing an enormous amount of material about Shostakovich and his position in Soviet society and burying forever the picture of Shostakovich as a willing participant in the communist charade. Other contributors include the composer's son, Maxim, the cellist and conductor Mstislav Rostropovich and the poet Yevgeny Yevtushenko, whose verses of protest Shostakovich set in the "Thirteenth Symphony".

The book concludes with a bravura examination by Ian MacDonald of Shostakovich's political attitudes considered against the contemporary events that shaped them. "Shostakovich Reconsidered" establishes beyond any doubt the enormous courage of one of the giants of the age.