Pleasure of Modernist Music Ashby Arved
The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of…
Specifikacia Pleasure of Modernist Music Ashby Arved
The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartok, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists in that they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts --
Arvéd
Photography of Modernist Cuisine
Arvéd - Jan Poláček
Colours of Art Ashby Chloe
Mysteries of Isis Ashby Muata
PLEASURE OF ROPE
Pleasure of Research
Modernist Escapes
Use of Pleasure
Pleasure of Reading
Price of Pleasure
Knight Of Pleasure
Duke of Pleasure
Conspirators of Pleasure
Perils of Pleasure
Modernist Icons