Perched

This exhibition companion explores the aesthetic and political concepts inherent in Feleksan Onar's glass artworks. Her newest exhibition evokes the Syrian refugee crisis through twenty-seven delicate glass swallows. Onar's work draws on her own personal history as well as collective memory, dealing with notions of identity, constructed narratives, historical relations, and the effects of politics on society.

Art critic Lisa Morrow described the work as "a visceral expression of the fact that in spite of differences of religion, culture, and individual histories, what we all want most is to be in the place we call home."Alongside eighty full-color reproductions, the text--including a short story by renowned writer Louis de Berni res, whose novel Birds The birds--perched in a public space, unable to move--are a metaphor for the millions of refugees with no home to return to.