Passing and Posing between Black and White
Passing and Posing between Black and White Since its inception, U.S. This applies, in the first instance, to featuring mixed-race characters crossing the color line. American cinema has grappled with…
Specifikacia Passing and Posing between Black and White
Passing and Posing between Black and White
Since its inception, U.S. This applies, in the first instance, to featuring mixed-race characters crossing the color line. American cinema has grappled with the articulation of racial boundaries.
The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with negating boundaries that pertain to the medium itself. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the
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