Occult Knowledge, Science, and Gender on the Shakespearean Stage Floyd-Wilson Mary
Occult Knowledge, Science, and Gender on the Shakespearean Stage Floyd-Wilson Mary In this ground-breaking study, Mary Floyd-Wilson argues that the early modern English believed their affections and…
Specifikacia Occult Knowledge, Science, and Gender on the Shakespearean Stage Floyd-Wilson Mary
Occult Knowledge, Science, and Gender on the Shakespearean Stage Floyd-Wilson Mary
In this ground-breaking study, Mary Floyd-Wilson argues that the early modern English believed their affections and behavior were influenced by hidden sympathies and antipathies that coursed through the natural world. Indeed, it was the invisibility of nature's secrets--or occult qualities--that led to a privileging of experimentation, helping to displace a reliance on ancient theories. These forces not only produced emotional relationships but they were also levers by which ordinary people supposed they could manipulate nature and produce new knowledge.
Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Floyd-Wilson demonstrates how Renaissance drama participates in natural philosophy's production of epistemological boundaries by staging stories that assess the knowledge-making authority of women healers and experimenters.
Gender on the Edge
Psychology and the Occult
Psychology and the Occult