Methods and Materials of Painting of the Great Schools and Masters Eastlake Sir Charles Lock Paperback

Specifikacia Methods and Materials of Painting of the Great Schools and Masters Eastlake Sir Charles Lock Paperback

CHAPTER I. Introduction - Connexion between the early History of Painting and that of MedicineCHAPTER II. The AncientsCHAPTER III. Earliest Practice of Oil PaintingCHAPTER IV. Oil Painting during the latter part of the Fourteenth Century Note on a Venetian Manuscript in the British MuseumCHAPTER V. Practice of Painting generally during the Fourteenth Century Note on a German Manuscript in the Public Library at StrassburgCHAPTER VI. Fresco Painting and Wax Painting during the Fourteenth Century Note on some early Specimens of English ArtCHAPTER VII. Vasari's Account of the Method of Oil Painting introduced by Van Eyck. Note on the Introduction of Oil Painting into ItalyCHAPTER VIII. Examination of Vasari's Statements respecting the Invention of Van Eyck Additional NoteCHAPTER IX. Oleo-Resinous Vehicles Additional NoteCHAPTER X. Preparation of Oils Additional NotesCHAPTER XI. Methods of the Flemish School considered generally Note on the Modes of strengthening Panels by Ledges or BattensCHAPTER XII. Preparation of Colours "Note on the Use of Triptychs, &c." Note on the Varnish prepared from the Olio d' AbezzoCHAPTER XIII. Preparation of later Masters Extracts from Notes by Sir Joshua Reynolds Note on the Mayerne Manuscript in the British MuseumAdditions and CorrectionsScriptural and historical Subjects painted in England during the Reign of Henry III.