King Lear After Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama Ashby Richard
Analyses appropriations of King Lear in post-war British dramaProvides the first dedicated study on appropriations of King Lear in British playwriting of the post-war, developing valuable new…
Specifikacia King Lear After Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama Ashby Richard
Analyses appropriations of King Lear in post-war British dramaProvides the first dedicated study on appropriations of King Lear in British playwriting of the post-war, developing valuable new perspectives on the legacy of Shakespeare in post-war drama and culture.Features original case studies on Edward Bond, David Rudkin, Howard Barker, Sarah Kane, Forced Entertainment and Dennis Kelly.Situates appropriations of King Lear in a wider literary, theatrical and philosophical discourse around the play and the Holocaust.Brings Shakespeare and post-war British drama into conversation with Continental philosophy and theory.Since the events of the Holocaust, playwrights have variously appropriated King Lear to respond to the catastrophes of modern times. With case studies on the