Killing Men & Dying Women: Imagining Difference in 1950s New York Painting Pollock Griselda
Killing Men & Dying Women: Imagining Difference in 1950s New York Painting Pollock Griselda What did it mean for painter Lee Krasner to be an artist and a woman if, in the culture of 1950s New York,…
Specifikacia Killing Men & Dying Women: Imagining Difference in 1950s New York Painting Pollock Griselda
Killing Men & Dying Women: Imagining Difference in 1950s New York Painting Pollock Griselda
What did it mean for painter Lee Krasner to be an artist and a woman if, in the culture of 1950s New York, to be an artist was to be Jackson Pollock and to be a woman was to be Marilyn Monroe? Revisiting recent exhibitions of abstract expressionism that either marginalised the artist-women in the movement or focused solely on the excluded women, as well as exhibitions of women in abstraction, Pollock reveals how theories of embodiment, the gesture, hysteria and subjectivity can deepen our understanding of this moment in the history of painting co-created by women and men. With this question, Griselda Pollock begins a transdisciplinary journey across the gendered aesthetics and the politics of difference in New York abstract, gestural painting.
Providing close readings of key paintings by Lee Krasner and re-thinking her own historic examination of images of Jackson Pollock and Helen
New Ideas in Botanical Painting
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Winter in New York