Forms of the Affects
Forms of the Affects What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? Through close readings of works by Roland Barthes, Hollis…
Specifikacia Forms of the Affects
Forms of the Affects
What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, S ren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light?Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction.
In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in
Forms of the Affects
Religious Affects
Forms of Puppets
Forms of Capital
Forms of Vitality
Mythology of Forms
Forms of Faith
Ordinary Affects
Extraordinary Forms of Aging