Expanded Painting - Ontological Aesthetics and the Essence of Colour Titmarsh Mark University of Technology Sydney AustraliaPaperback / softback
Expanded Painting - Ontological Aesthetics and the Essence of Colour Titmarsh Mark University of Technology Sydney AustraliaPaperback / softback The relevance of painting has been questioned many…
Specifikacia Expanded Painting - Ontological Aesthetics and the Essence of Colour Titmarsh Mark University of Technology Sydney AustraliaPaperback / softback
Expanded Painting - Ontological Aesthetics and the Essence of Colour Titmarsh Mark University of Technology Sydney AustraliaPaperback / softback
The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance.Painting is considered from three different perspectives: ethnology, art theory and ontology. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice.
In art theory terms, painting is understood to produce objects From an ethnological point of view, painting is one of any number of activities that takes place within a culture.