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Art Of Screen Adaptation

Producers and audiences are hungrier than ever for stories, and a lot of those stories begin life as a book--but how exactly do you transfer a story from the page to the screen? Do adaptations use the…

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Producers and audiences are hungrier than ever for stories, and a lot of those stories begin life as a book--but how exactly do you transfer a story from the page to the screen? Do adaptations use the same creative gears as original screenplays? Does a true story give a project more weight than a fictional one? Is it helpful to have the original author's input on the script? And how much pressure is the screenwriter under, knowing they won't be able to please everyone with the finished product? Alistair Owen puts all these questions and many more to some of the top names in screenwriting, including Hossein Amini (Drive), Jeremy Brock (The Last King of Scotland), Moira Buffini (Jane Eyre), Lucinda Coxon (The Danish Girl), Andrew Davies (War & Peace), Christopher Hampton (Atonement), David Hare (The Hours), Olivia Hetreed (Girl with a

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