Altman and After Parshall Peter F.
Altman and After Parshall Peter F. In American cinema, films with multiple plots can be traced back to Grand Hotel in 1932, but the form was used only sporadically in subsequent decades. Later…
Specifikacia Altman and After Parshall Peter F.
Altman and After Parshall Peter F.
In American cinema, films with multiple plots can be traced back to Grand Hotel in 1932, but the form was used only sporadically in subsequent decades. Later filmmakers such as Quentin Tarantino, Paul Thomas Anderson, Wong Kar-Wai, Steven Soderbergh, and Paul Haggis embraced multiple plotlines, a device that eventually achieved mainstream respectability in such Oscar winners as Traffic and Crash. However, filmmakers of the 1970s and 80s, notably Robert Altman and Woody Allen, repeatedly employed complex narratives to weave sprawling stories in their films.
In Altman and After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. In the past two decades, more than 200 films utilizing some variation of this format have appeared worldwide. Parshall asserts that although this form may lose some of the close psychological identification and
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