Address of the Eye
Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that…
Specifikacia Address of the Eye
Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two viewers viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both mine and
Address of the Eye
Eye Of The Cyclops
The Eye of the World
The Eye of the World
THE EYE OF THE WORLD
Eye of the Wolf
Eye Of The Trainer
Eye of the Fleet
Eye of the World
Eye of the I
The Eye of the Beholder
The Eye of the World
Eye of the Hurricane
Eye of the Tiger
The Eye of Zoltar
Eye of the Tempest
Eye of the Needle