Intervals, Scales, Tones - And the Concert Pitch c = 128 Hz Renold MariaPaperback

Why is it that certain intervals, scales, and tones sound genuine, while others sound false? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned?Renold tackles these and many other questions and provides a wealth of scientific data. Is the modern person able to experience a qualitative difference in a tone's pitch?

She deepens our musical understanding by using Rudolf Steiner's spiritual science as a basis, and she elucidates many of his puzzling statements about music.The results of her work include the following discoveries:The octave has two sizes (a 'genuine' sounding octave is bigger than the "perfect octave")There are three sizes of "perfect Her pioneering work is the result of a lifetime of research into the Classical Greek origin of Western music and the search for modern developments.