Breaking the Code: Otto Preminger Versus Hollywood's Censors Segaloff Nat
Breaking the Code reveals the efforts of director-producer Otto Preminger to bring his aesthetic vision to the screen even if it meant challenging the Production Code, a system of self-censorship that…
Specifikacia Breaking the Code: Otto Preminger Versus Hollywood's Censors Segaloff Nat
Breaking the Code reveals the efforts of director-producer Otto Preminger to bring his aesthetic vision to the screen even if it meant challenging the Production Code, a system of self-censorship that shaped the movies during the four decades it was in force. Along the way, Preminger sent shock waves through Hollywood and a network of exhibitors, publishers, and religious leaders who had personal, and even financial, stakes in the repression of artistic freedom. The process of telling this story began in 2003 when Arnie Reisman and Nat Segaloff thought it might be interesting to write a play about Preminger's efforts to get a Code seal for his 1954 romantic comedy The Moon is Blue, based on F. Hugh Herbert's 1951 play. In those days, no film could be shown that did not receive authorization from the Production Code Administration, and his film was deemed too "adult" for even adults to
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